Who wrote The Lives of the Most Excellent Painters Sculptors and Architects?
Who wrote The Lives of the Most Excellent Painters Sculptors and Architects?
Giorgio Vasari
Who wrote the first important book on art 1550?
How many artists did Vasari write about?
What was Vasari famous for?
Giorgio Vasari was one of the foremost artists of 16th century Italy, renowned not only as a painter, draftsman, and architect, but also as the author of Lives of the Most Eminent Painters, Sculptors, and Architects, a series of artist biographies that formed the basis for modern art history.
Is Vasari biased?
Vasari was in Rome in 1529 and studied the work of the High Renaissance artists of the period. His own Mannerist paintings were admired in his lifetime but have not stood the test of time. It was very biased towards Florentine artists but included information on the technical methods used in the arts of the time.
Which artists did Vasari write about?
Often called "the first art historian", Vasari invented the genre of the encyclopedia of artistic biographies with his Le Vite de' più eccellenti pittori, scultori, ed architettori (Lives of the Most Excellent Painters, Sculptors, and Architects), first published in 1550 and dedicated to Grand Duke Cosimo I de' Medici.
How does Vasari describe Michelangelo?
In the very first sentence of this work, redolent of the Bible, Vasari describes God the Father sending Michelangelo as a spirit into the world to redeem art, bringing light where there was darkness.
Did Leonardo da Vinci dislike Michelangelo?
Leonardo, inconceivably, had a rival. Michelangelo had little time for Leonardo - according to Vasari, he made his dislike so clear that Leonardo left for France to avoid him. For his part, Leonardo made bitchy remarks in his notebooks on the "wooden" qualities of Michelangelo's painting.
Did Michelangelo and Leonardo get along?
Michelangelo and Leonardo felt “an intense dislike for each other,” says their biographer Vasari.May 1, 2011
What did Giorgio Vasari believe?
It was by coming to understand the life and times of the Florentine and Venetian masters, Vasari believed, that one could get to the essence of Renaissance art.
How many singers live in Vasari?
These representations were used as templates for the portrait medallions in the upper frieze in the Sala Grande, for which Vasari selected from the total of 159 lives thirteen artists who he held in particularly high admiration: Cimabue und Giotto as forerunners, Brunelleschi, Donatello, and Masaccio as the founders of