You should mix in mono before you add any EQ, compression, or other plugins. And you should do this with every mix if you want an industry-standard track. And your DAW will have a mono button, possibly on or near the master track. Just hit that and start mixing!23 Apr 2021
Do people still mix in mono?
Yet, when that great‑sounding stereo mix is collapsed to mono, you will often find it no longer works, because those sources occupy the same spectrum and end up trampling all over one another. However, if you can get the mix to sound good in mono first, it will definitely sound great in stereo too.
Why mixing in mono is the secret?
When we mix in stereo we can separate mix elements out in the stereo field to make them easier to hear. When we collapse the mix to mono, these different elements start to obscure each other again. The fact is, that if your mix isn't clear and punchy in mono it just “isn't ready yet”.
What are the benefits of mixing in mono?
- Better EQ decisions.
- Less ear fatigue.
- More accurate balancing of instruments.
- Easier positioning of instruments.
- Quickly spot phase issues.
Why you should mix in mono?
In fact, some producers mix levels in mono throughout most of the process. This is because mono gives you not only clarity while listening, but also the ability to catch mistakes in the mix. For example, mixing in mono can help you detect phasing issues between different waveforms.
Do professionals mix in mono?
Mixing in mono is a trick professionals use to ensure the songs they pump out sound amazing, no matter the speakers or where the listeners is positioned in front of those speakers. Because when you drop the audio down to mono you don't get to hide behind panning to create clarity in the stereo field.18 Aug 2021
Is it best to mix in mono?
This is because mono gives you not only clarity while listening, but also the ability to catch mistakes in the mix. For example, mixing in mono can help you detect phasing issues between different waveforms. Mixing in mono from start to finish might not work for every producer.
Should you master in mono?
Unless your source has a natural spread of stereo information, recording in mono is your best bet. You might think that too many mono channels would make your mix sound narrow. Stereo audio mimics how you hear sound in the real world with your two ears.