Biography, art, photo-realism, and facts aboutAudrey Flack are on artnet.

An American artist,Audrey L. Flack was born on May 30, 1931.Her work pioneered the art genre of photorealism.

Flack has a number of academic degrees, including a graduate degree from Cooper Union in New York City.She studied art history at the New York University Institute of Fine Arts while she was at Yale University.In May 2015, Flack gave a speech at the Clark University graduation.

The Museum of Modern Art is one of the major museums where Flack's work is displayed.The first photorealistic paintings to be purchased for the Museum of Modern Art's permanent collection were by Flack, and her legacy as a photorealist lives on to influence many American and International artists today.J.B.The Speed Art Museum in Louisville, Kentucky, organized a retrospective of her work, and Flack's efforts into the world of photorealism popularized the genre to the extent that it remains today.[2]

Flack was a student at New York's High School of Music & Art.She studied fine arts in New York from 1948 to 1953.She earned a graduate degree from Cooper Union in New York City and a Bachelor of Fine Arts from Yale University.She studied art history at New York University.[5]

Flack's work in the 1950s was abstract expressionist, and one of his paintings paid tribute to another artist.Jeff Koons was influenced by the ironic kitsch themes in her early work.Flack evolved into photorealism during the 1960s after becoming a New Realist.She moved to the photorealist style because she wanted her art to communicate.She was the first photorealist painter to be added to the collection of the Museum of Modern Art.She painted the piece Marilyn between 1976 and 1978 in her Vanitas series.[8]

The photographer Graham Thompson wrote about the success of photorealist painting in the late 1960s and early 1970s.Hyper-realism is a type of painting that uses photographic stills to create paintings that look like photographs.[9]

In The Brooklyn Rail, Robert C. Morgan wrote about Flack's exhibition in 2010, "She has taken the signs of beauty and excess and transformed them into deeply moving symbols of desire, futility, and emancipation."Flack's artistic medium shifted from painting to sculpture in the early 1980s.She describes the shift as a desire for something tangible.Something to hold on to.[11]

Flack claims to have found the photorealist movement too restrictive, and now has a lot of her inspiration from Baroque art.There is a citation needed.

Flack is represented by two galleries.Her work can be found in the collections of museums around the world, including the Metropolitan Museum of Art.

She received two awards, the St. Gaudens medal from Cooper Union and the Albert Dome professorship from Bridgeport University.She is a visiting professor at the University of Pennsylvania and has lectured both nationally and internationally.[5]